JVB-01.15
OPEN / ONGOING
COPYWRITER, EDITOR
1998
despite the california drawl, I actually spent my formative years in the U.K. I was a child actor. A musician with way too many genres and artist names. A ghostwriter. For a minute there, I was a boom operator. That one didn't last long.
I grew up on screens, ads, and headphones. And what I consumed shaped the world around me. I usually couldn't shut up about it. I want to create ideas that come to life. One's worth talking about. A good result is liked. A great result is shared.
I use apple music. the links are spotify. We can argue about it later. Also, That ramen in the photo is from Wagamama, and I 10/10 recommend if you're in the U.K. or east coast. They've stopped responding to my DM requests for an L.A. location.
With every carrier claiming to be the best network, people are skeptical. To prove Verizon really is the best network, and the best deal, we asked a question — What happens when your network works too well? Meet Alan.
We read summaries instead of books. Watch recaps instead of films. Reduce art to captions. We've forgotten that the meaning lives in the middle. So we paraphrased everything and made people feel the loss.
A showcase of a few collaborations I've had with Essence, including work as the Lead Editor for the 2025 Essence Music Festival and Beautycon.
A few highlights from my work as a Producer & Lead editor for AFROPUNK over the course of 3+ years.
I have collaborated with spotify through multiple activations, most recently being the 2026 Coca-Cola x Spotify Worldcup Watch Party in L.A.
I have worked as an editor for Netflix through multiple outlets, including social media content surpassing 5+ million views, as well as live activation content.
I had the pleasure of working on the 2026 Nike Toma content team, showcasing a number of events across L.A. for the Toma Street Soccer Movement.
I worked as a sound designer for this branded documentary about the history of Data Asset Management, and it's impact on the current media space.
